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Sandro Rosell
FC Barcelona President
Saturday, October 21, 2017

The New York City Ballet held its Annual Fall Gala on September 28, 2017 at the David Koch Theater with cocktails beginning at 5:30 PM. This event, which is the brainchild of Sarah Jessica Parker, merges fashion and ballet by allowing renowned designers to create costumes for the dancers. There was a noticeable electricity in the air as guests were anxiously anticipating what Virgil Abloh of Off-White and Fernando Garcia and Laura Kim from Oscar de la Renta had planned. The excited crowd included luminaries: Keri Russell, Sarah Jessica Parker, Andy Cohen, Malin Akerman, Jess Cagle, and Mikhail Baryshnikov; as well as philanthropists Liz Peek, Jean Shafiroff, Fe Fendi, Mary Snow, Michele Herbert and many others.

The first act opened with the World Premiere of "The Wind Still Brings" with costumes by Jonathan Saunders. The pink and blue striped leotards and blue tights were very "American Apparel" and gave the dancers an ease of movement. The choreography by Troy Schumacher was fun with sparse music and a large repertoire of dancers. The next premiere "Composer's Holiday" was more exciting with black and white costumes designed by Virgil Abloh and choreography by Gianna Reisen. This was Reisen's first-ever work and she did a remarkable job.

The accompanying costumes of black, white and blush tutus of the women and black lace ensembles of the men were unembellished but pretty. Abloh is the New "it designer" and his competency was readily apparent. The dancers moved with grace and ease performing such crowd pleasing stunts as ballerinas stepping on men's backs and floating in the air. The next act, the world premiere of "Not Our Fate" was my favorite technically and the costumes were black and white once again with black jackets and white full skirts adorning the ballerinas who were dressed by the Oscar de la Renta label. This act was modern and dramatic with men partnering other men and at one point women doing the same. The music by Michael Nyman was exhilarating and the crowd loved the pairing of the dancers.

My favorite costumes of the evening were in the last act called "Pulcinella Variations." Designed by Tsumori Chisato the clothing was fun and outstanding while still allowing the dancers to move. This was the only act where the costumes were the focal point with painted and checkered tights and colorful half tutus astounding the audience who applauded enthusiastically. Chisato was hands down the designing star of the evening-producing a feast for the eyes that was incredible. After a nearly two-hour performance without any intermission, guests headed to the second floor for an elaborate dinner where cascading flowers adorned the magnificent room; a harbinger of the exciting gala season which awaits.